What do you think of the endings in The Personals (Taiwan) and Kahaani (India)? As
typical narrative tales of periodic function, the revelation at the end is supposed to
compel you to re-view the narrated plot and rethink your already established judgment
of the main characters and/or events? If you agree, in what ways do you now perceive
them differently than your earlier understanding of the characters, events and overall
impressions of these two films? Moreover, comment on how this type of embedded
tension and contention helps thicken the plot, complicate characterization and steers
pitfalls to reach higher goals. Cite instances to support your argument(s).
Films
Kuo-fu Chen, The Personal
Sujoy Ghosh, Kahaani

It should end with notation (if necessary) and a short filmography. Use quotations sparingly and do not retell details of film plots at length. Be advised to compare two or three films covered in the semester thus far. No paper is considered complete until and
unless you have done a spelling check.