Type of essay: Reception analysis by speculation. ——-Thesis: An answer to a question like: How would the Gaza Monologues affect audiences of different regions and identities? And why would the Gaza monologues and the performance of it have power effects on the public? ——-DO NOT USE OUTSIDE SOURCES. ———Sources: 1) Ashtar, The Gaza Monologues. Ramallah: Ashtar, 2010 [9 monologue samples]. —— Source 2: Bulus, Habib, et al. Symposium on Palestinian Theatre. Urian, Dan, editor. Theatre in Israel. Ann Arbor: University of Michigan, 1996-323-345——— Essay components: Somewhere, provide Readers a background in: (a) the context: Palestine & Occupation (Where its located, Symposium) – within the intro or top body paragraph. (b) the case: summarize/describe the overall work (from browsing the whole play) – within the intro or top body paragraph. (c) the larger cultural theme: questions about theatres affect & efficacy (from Symposium and your own thinking) – within the introduction, or the last body paragraph, or woven in the conclusion. ——Cover: 1) 2 monologues in detail – one per paragraph or two combined. “Ahmad El Ruzzi
Born 1993
Al Wehda Street” and “Anas Abu Eitah
Born 1995
Ash Sheikh Radwan” —-2) Specific examples from the monologues in most paragraphs WITH quotations —–3) How the play as a whole can affect audiences (besides some monologues in specific) —4)How the same detail(s) might elicit different reactions from different publics—-5) list the range or set of responses the play might elicit- giving examples for sad, amused, surprised, angered, etc. —–6) (speculated) differences according to 2-3 different audience demographics/location: -in Occupied Palestine: Gaza, West Bank, Jerusalem (Quds) -Inside Israel: Palestinians and Jewish Israelis -Among Palestinians in diaspora, in other Arab countries. -Among different groups in the US, Arab-American or other
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